The Rancher's Wife, by Julia Rust

After Glyn found them, she forgot whatever it was that had brought her to the barn in the first place.  It was nearly three hours since everyone had risen and gulped down as much coffee as they could handle, snatching bites of toast in between, before heading out to tack up and ride.  Two hours since Glyn had put up the last washed cup, leaving her kitchen clean and ready for the next round, while she gathered eggs, milk and cream, checked on the goats, fed the dogs, and started the first of what would be 10, maybe 12 loads of wash.

Glyn’s movements were automatic, each and every chore so familiar so often done as if the air contained the precise passageways through which her body moved and reached.  Her preparations for breakfast were well on their way when she missed whatever it was and went into the barn.  She heard them first.  Heard noises she failed to put words to, however familiar to her they seemed, noises that drew her to the single lit stall.  As Glyn moved silently past the few cows and horses still inside, their large bodies stirred.  The sharp ring of horseshoe against wood startled her, made her pause.  But the other noises continued.  There was a short laugh she recognized.  It was Dob.

She knew what she was about to see.  But she couldn’t stop, couldn’t slip away.  It felt as though she were someone else, and that person was hypnotized, helpless but to walk forward toward that light.

Her husband was pressed into the back of one of their cowhands, the new one, the female one, his pants around his knees, hers down to her ankles, her shirt open to the waist.  One of Dob’s hands was inside the shirt, while one breast, pale and large, blue-veined and rosy tipped stuck out brazenly, tauntingly.  Dob’s face was in a grimace, eyes squeezed shut in what looked like pain, but the rhythmic breathing, familiar grunting sounds told Glyn it was not pain.  The woman’s mouth was in a perfect ‘o,’ her eyes half-shut in a look that was almost holy in its concentration, its joy.

Glyn gasped and turned away, stumbling out as quietly as her weakened legs could carry her, her face hot in the cold November wind.  Once inside the house, she forced herself to continue with the meal, painfully conscious that in ten minutes or less her kitchen would be filled with milling cowboys, loud and hungry, sweaty and smelling like horse.  Dob too.  And the woman, Jesse.

Slam!  Down came the heavy iron skillets onto the stove.  She slapped bacon in one and sausage in another, turning on the heat and adding grease to a third for the potatoes which were sliced and waiting in cold water, next to the peeled onions, and a green pepper.

What she’d witnessed made her nauseous.  But she was not surprised. She’d known her husband slept around.  She’d known and didn’t mind, as long as the proof of it remained out of her reach.  Nothing beyond a curious absence, an unexplained lateness.  A certain relaxed look about his eyes.  The rare but occasional smell of a stranger’s perfume that clung to his shirt.  She didn’t mind, as long as he was discreet, as long as he didn’t leave her.  Sex for her had long since ceased to be anything but a duty, their three boys grown and gone.  Glyn was sorry they never a daughter, but after a difficult third pregnancy, the doctor advised them to quit, and Dob had himself ‘fixed’ as he called it and their procreating days were over.

Knowing Dob was doing it and seeing it were two different things.  She was a little surprised at the lack of anger, or disgust she thought she ought to feel, but the image that filled her mind was the expression on Jesse’s face.  Jesse’s joy.

The smell of a freshly hot oven brought her back to her task.  She saw that she’d forgotten the biscuits.  The batter stood at the ready in a large ceramic bowl that had been handed down to her by her mother, from her grandmother and before that her great-grandmother.  There were chips around the edges, chips that corresponded to hard times and heavy use.  The ceramic was scratched in several places and recently Glyn had discovered a faint crack running down and through the bottom.  But it held batter still, just the right amount for a dozen hungry cowboys, and Glyn stopped daydreaming long enough to roll out half, and cut and toss the dough into a waiting pan.  She paused to stir the frying things, and rolled out a second batch, cutting and flinging dough until the pans were filled with evenly spaced white disks.  She popped them into the oven and checked the clock.

Jesse.  Glyn remembered how she’d shown up late summer looking for work, looking for all the world like a short plain man, a dirty sheet of paper in her fist which held her references.

She remembered the moment both she and her husband realized Jesse was a woman.  Not by her square plain face, redeemed only by a generous mouth.  Not by her figure which was completely obscured by loose-fitting clothes.  But by her voice.  It was rough-edged and gravelly, compelling, and entirely feminine in pitch.  And then she moved, breathed deeply or coughed, Glyn couldn’t remember, only remembered the movement of her shirt, the evidence of breasts undeniable as her shirtfront moved in different time than her shoulders.  She hadn’t meant to stare at her chest and slid her eyes away in time to notice Dob was staring too.

“How long you been ranglin’?”  Dob asked when he finally moved his eyes back to her face.

“15 years,” she’d answered.  “20, if you count when I was a kid, on my Dad’s place.”

Her references were good, one of them a rancher across the border that Dob knew, so they hired her, Dob whispering in Glyn’s ear after she left to tend to her horse, whispering a single word “Dyke,” and laughing as he followed her out.

Glyn flinched when he said it.  The word was angry-sounding.  Harsh.  It held a level of meanness uncommon to Dob.  She’d always found him to be a gentle man.  Gentle with her, gentle with the livestock, gentle with the boys.  Glyn remembered when their youngest had been thrown from a horse and broken his collarbone.  She could see as if it were yesterday; the boy’s body cradled against Dob’s chest as he carried him, howling, into the house.  She could hear Dob’s voice, soothing and
low, quieting the boy’s howls down to a whimper.  She could almost feel his hands as if it were her own body and not the boy’s as he lowered their son softly to the couch.

Dyke. Why had he said that?  She wondered briefly what two women did together.  She pictured them kissing and a different four-letter word came to mind.  Soft.  But she cast it quickly from her mind, shoving it aside with the same mild revulsion she experienced when coming across one of the magazines the cowboys sometimes had besides their bunks, the garish pink of all that nakedness, the occasional shock of a naked man pressed against a woman, or inside her mouth, and one time, two men fondling each other.

She didn’t hold an opinion about homosexuals.  She went to church and knew they called it a sin.  But her faith was of the practical kind. She prayed for rain, or less wind.  For clear roads when her family was traveling.  For health when they were sick.  If she thought about it at all she figured what people did in private should remain private.  Like Dob and his infidelity.  She didn’t want to know.

The sausages were starting to burn.  Glyn tipped them out onto a plate just as the first couple of hands sauntered in.

“Whew!  S’cold this morning.  Smells awful good, Glyn.”

By the time Dob entered Glyn’s attention was taken by frying the eggs. She only realized he was there when she turned to set a bowl full of scrambled on the table.  If she hadn’t seen it with her own eyes, looking at him now she’d never believe that twenty minutes ago he’d been avidly fucking their cowhand.  He looked tired and cold and hungry, just like every morning.  And just like every morning the sight of him struck her as a fact, a piece of her life, nothing more.  It surprised her that she felt so little.  Shouldn’t she be angry?

Jesse came in a few minutes later.  She said nothing and her eyes were hooded.  This wasn’t out of the ordinary for her, but now it made Glyn wonder.  How long had they been doing this?  How many breakfasts had she served them with the smell of Jesse’s sex still on Dob’s hands?  The space where she’d expected anger began to fill with something, but Glyn didn’t give it a name.  She was staring at that mouth, the one so recently curved into a soft wet ‘o.’  And she could just make out the
swell beneath her shirt, the slight swaying as she sat of that large white breast.

“Shit, Glyn!”  Dob stood up and Glyn turned around to see the potatoes were on fire.  She started to grab the skillet handle with her bare hand but as her fingers started to close, the hot iron warned her, singing her palm and she wrapped her apron around it, managing to move it to a cold burner where the fire stopped quickly.  She set about saving what potatoes she could and dumped out the blackened remains.

She managed to cook the rest of the meal without burning anything else, and it was devoured quickly and in silence, and then they all set out on their next rounds, leaving Glyn alone.

On most days this moment filled her with relief and a little envy.  Relief at the quiet; the short but definite respite before dinner when she would clean the dishes, the pots and pans, then set about her own morning chores.  The envy was for the cowboy’s job.  She longed to ride with them.  It was hard work, especially this time of year with the cold.  But it was outdoors on horseback, across the plains, the cold biting your lungs, the landscape stark and beautiful.  Rounding up, fixing up, and surveying the creatures and fields they’d been looking after all their lives.  She longed to be one of them, but even caretakers need caretakers.  And that was her job.  If she didn’t do it, it wouldn’t get done.

As she scraped dishes, and scrubbed pans, the hot soapy water stinging her singed palm, she thought, I could really use that daughter. It was easy to imagine her here; she’d be dark like Dob, pretty, working in harmony as Glyn had with her mother.  She pictured her married, with her husband over there at the table, hunkered over the food with the other hands, while she and Glyn took care of everyone.

Glyn blinked and frowned and this time saw instead her daughter dressed in jeans and boots, sitting down and being served, her work gloves next to her plate ready to be donned the second she finished eating.  Ready like the other cowboys to go out and ride.

She blinked again and this time saw what was before her, an empty table and a silent room.  She’d never raise her to her own life.  Glyn’s life.  If she had been born, she’d be gone now, to school, to town, to another life, like the boys, her brothers.  All gone.

The image of Dob and Jesse in the barn filled her mind and she groaned. Did Jesse make him happy?  What would happen when she left to go wherever the cowhands chose to winter?  Her stomach grew taut, but the application of good hard work took over both mind and body.  And by the time she’d made it through the dinner, and then past that through supper she felt she would be all right.  That she could pretend, as they were doing, that nothing had happened, nothing that needed her
attention.  Nothing she could change.

*

Dob was predictable as sun-up.  Each Sunday night, he’d touch her shoulder as they readied for bed, just that, his large and calloused hand on her night-gown covered shoulder and look at her with raised eyebrows.  The question was for form’s sake only.  She never said no. This Sunday was no different.  When his heavy hand fell on her shoulder it felt like a pronouncement, and a release.  He still needed her.  She guessed that maybe when that stopped, it would be time to worry.  But for now, he needed her body and Glyn was glad.

She went into the bathroom with the usual unspoken prayer. Let him be quick. There had been a few times that he had rubbed her raw, that she had bitten holes in her lips trying not to cry out.  It was easier now.  Now she’d found the tiny bottle half-hidden behind the small supply of ‘feminine’ products at the big town’s grocery.  Small and odd, out of place among the boxes offering ‘freshness’, and the overstuffed bags assuring ‘protection.’  This bottle promised to eliminate ‘feminine dryness’ and it took her awhile to realize that it wasn’t referring to an obscure medical problem of someone else.  But to her specific ‘problem.’

She didn’t like applying it.  Had never liked touching herself.  But tonight she wasn’t thinking about that.  She was thinking about Jesse. Her face.  She had looked so happy.  Glyn hadn’t always hated sex.  As a teenager, sex was power over large handsome boys, who could’ve taken it if they tried, but always seemed so lost, so helpless.  Each one needed her to tell them ‘yes.’  And then, too, sex was in slow and pre-defined stages, and always hidden, secret, in the dark.  Kissing first, which led to heavy petting.  Her breasts fondled, first through the clothes, then under them.  Then he would take her hand and press it into his crotch.  She liked the feeling of him, through his clothes, hard and growing harder as she rubbed.  And when it escalated to intercourse, she enjoyed the way he seemed to need her.  Needed her body to do this thing.

She and Dob married young.  She wasn’t pregnant.  She’d been as careful as she knew.  And he had too.  He’d wanted to be ‘sure’ he said.  She wondered but never asked him ‘sure of what?’  She liked his quiet air, his lanky build, bow-legged walk.  The security that came with the 400-acre ranch his father was going to leave him.

Glyn remembered the early days, before her first child, when Dob brought her into his father’s house, into their very own room.  How every night he would grab her and they would wrestle, laughing and trying to keep quiet, trying to keep it within the thin walls.  But knowing that no one would stop them, or even mention the noise.  The freedom of pleasing him then made her giddy.

Then the children came and it was hard to enjoy Dob and his needs when she was always so tired.  So it turned into a routine.  Another task. Something they did whenever Dob wasn’t too tired.  Glyn didn’t mind. It was all part of the job.  Being caretaker.

But Jesse was different.  She seemed to like it.  Why else would she want to stand naked in a cold barn, in a pile of dirty straw and let him heave himself inside her?  What reason could she have for making Dob happy?

The more Glyn wondered, the clearer the image came, that open mouth, that hanging breast.

“You coming out tonight?”  Dob’s voice shattered the image and Glyn saw that her hand was wet.  She carefully cleaned off her hand, an embarrassed heat rising from the top of her chest to her face. Touching herself and liking it was wrong somehow.

She went into the bedroom and climbed beside Dob.  She lay on her back and let him slide his hands up her legs, pushing up her nightgown, feeling heat from his hands, heat that she liked but then, too soon, he rolled on top and was inside her.  He began pumping slow and steady.

The image of Jesse’s breast filled her mind and she found herself shaping her mouth, like Jesse’s, into an ‘o.’ What would it feel like? The image of her own face pressed against that breast filled her mind.  She could feel the flesh giving, her lips closing around the nipple.

“Oh.”

She said it so softly she didn’t think Dob noticed, but a sudden heat in her belly was making her move with him, and that was the thing that made him stop.

“You okay?”

The stopping was excruciating.  Something down there needed to be touched, she was surprised and confused, but she said, “I’m fine.  Keep going.”  And tried not to press herself up and into him, although it suddenly seemed like the only thing on earth that she wanted.

He was stiffening, becoming rock hard which meant he was almost through and she squeezed herself around him, and pressed her pelvis up and felt something breaking, something flipping inside, something turning inside-out and she was scared and wanted it to stop but it was awhile before the shuddering eased she could unclench her arms, her legs, and lie quietly beneath him.

She kept her eyes closed, hoping Dob would remain silent, and after awhile he rolled off and away from her, his breathing slowing down as he drifted quickly into sleep.

Glyn lay awake for a long time, wondering at what had happened to her. Was this what happened to others?  Did Dob feel like this when he started making those painful sounding grunts of his, those coughing noises as he spurted away inside her?  Was this what happened to him? And Jesse’s mouth, her ecstatic face, was she feeling, could she possibly have been feeling this?

*

When word came that a big storm was brewing, Dob offered to drive anyone without a vehicle into town on Saturday, drive them and their horses in so they could move on to whatever winter work they could find.  No one wanted to risk being caught this side of the mountain pass on horseback during the blizzard.

Friday’s supper was grim and quiet as everyone hunkered over their plates, the early darkness increased by gathering clouds.  The storm wasn’t due till Sunday, but weather blew in so fast in the mountains, everybody wondered if they’d make it out in time.

Saturday, Glyn was up before dawn throwing down a good breakfast.  She was pouring out the biscuit batter when it happened.  The bowl was heavy and she held it the way she always had, the way her mother had taught her, in one arm, resting the edge against her hip as if carrying a child.  She felt the surprising give as the bowl broke in two, her empty arm suddenly light as the two pieces folded together and she was forced to watch helplessly as they fell in a straight line to the floor.  They crashed into the hard linoleum with surprisingly little noise, but the floor had no mercy and Glyn stared at a large shattered pile at her feet, not knowing if the rising cloud was from the flour or the pottery’s own dust.

She knelt, putting her hand inside the dust as if her eyes were playing tricks, longing for the whole, and finding only dust and shards.

She pictured her mother’s face, and then her grandmother’s face, thinking how every day their faces were becoming more apparent in her own, the same drooping flesh above her eyelids, same sharp lines around her mouth.

They were both dead now, her mother and her grandmother, shattered against the hardness of their chosen lives. Me too, thought Glyn as she sifted idly through the mess on the floor, I’m dead too.

The sharp quick sound of boot heels on linoleum made Glyn lift her head.  It was Jesse. “Glyn, you okay?”

Glyn stared at Jesse’s face as if it were a map to guide her away from the grief she knew lay just beyond this moment.  Her skin was dry and freckled from the sun.  Her nose was straight and strong, and her mouth broad and smooth, lips slightly chapped, a shade or two darker than the surrounding skin. Fine lines sprayed in two delicate fans from the outside corners of her eyes, and for the first time those eyes looked directly into Glyn’s, their pale blue completely unveiled, giving Glyn the impression she was being seen.  That Jesse was noticing her as something more than her employer, kitchen drudge, the rancher’s wife.

“You’re not.”  Glyn hadn’t meant to speak and as Jesse said, “I’m not what?” and frowned she looked away as the first wash of grief over the broken bowl came over her. You’re not dead, is what she meant, but tears were streaming down her cheeks and she wanted Jesse gone, and the kitchen empty so she could clean up the mess and cry in peace.  But Jesse was squatting in the dust, her hands on Glyn’s shoulders, hot and firm saying, “Hey.  Hey…  Easy there.”  There was care in those words,
and a softness making the gravelly voice almost hoarse, the way passion can and Glyn wiped her cheek with her hand, feeling the grit of dust becoming a pasty mud.  She closed her eyes, squeezing back tears, fighting the overwhelming desire to let herself be comforted.

“Easy now.  It’s okay,” Jesse said as she pulled Glyn against her soft breasts, wrapping her arms around her back and squeezing tight until Glyn in all her resistance, had to give in, her stiff body collapsing against her, had to give her weight to those strong arms, her face to the soft hot burrow of Jesse’s neck.

Her crying became a thing in and of itself.  She had no thoughts except relief, release, how good it felt to be held.  As the tears subsided, Glyn became aware of several things; the heat of Jesse’s neck against her face, the soft rise and fall of her chest with each breath, and how Glyn’s own hitching breath was causing friction where their breasts met.  Her womb felt warm and needy, that same sensation she’d had the other night with Dob, and she pressed her face tighter into Jesse’s neck, her lips against her pulse, and although Jesse’s arm around her back tensed up, she didn’t pull away.  Glyn’s breathing became labored and she felt faint, her body started shaking, but she lifted her head and pressed her face to Jesse’s, mouth on mouth, opening her lips and making a soft, strangled cry.

Jesse started to pull away, but was having trouble staying balanced, rocking backward onto her heels and Glyn wasn’t about to let her go, putting both hands on her head and holding it there, until her shaking caused her face to bang against Jesse’s, lips against teeth and she could feel pain and Jesse managed to get one of her arms between them and push her away.

“Jesus!”  Jesse staggered and fell onto her hands, crab-walking backwards until she reached the cabinets, and used them to pull herself to her feet.  There was a smear of blood on her face, but Glyn couldn’t see the source.  Jesse stared hard at Glyn her face screwed into an expression of loathing as she wiped her mouth with the back of her hand.

It hadn’t sunk in yet, what she’d done, but Glyn had to look away.  She couldn’t stand the look on Jesse’s face.  The inside of Glyn’s head felt swollen, useless brain matter pressing painfully against the back of her eyes.  Her tongue moved across her lip and found a split there, tasted blood.  She was aware of Jesse leaving the room and then the sound of sizzling meat bringing her back to her duties.  She stood on creaky knees and flipped the sausages, then moved to the pantry where she kept the broom and dustpan and began to clean the mess.  She pulled down another bowl.  Smaller.  She’d have to make two batches.  And began to mix the dough.

She managed to avoid thinking about it all throughout the cooking, the serving, seeing Jesse hunched over her food with averted eyes.  Through final house and bunk check as the hands loaded up the vehicles if they had one, Dob’s truck if they didn’t.  Her numbness remained right through all the good-byes, the compliments on her cooking, the last look around.

Glyn watched as Jesse climbed into Dob’s truck.  From behind you wouldn’t know she was a woman at all.  Glyn’s face felt hot, and her stomach began to tighten as she pictured Jesse telling Dob what she had done.  She won’t, Glyn told herself firmly, but she felt the small amount of breakfast in her stomach trying to push its way into her throat and she swallowed hard.

The brake lights came on as Dob prepared to move, waiting for the other trucks to clear the gate before pulling out behind them.  Glyn wondered if Jesse was looking in the side-view mirror.  She imagined what she’d see.  A slump-shouldered, red-faced woman.  Did she look abandoned?  Sad?  Pitiful?  Glyn prodded the swollen split in her lip with the tip of her tongue and felt heat between her legs.  Jesse’s mouth had been so soft.

The line of trucks was getting smaller.  The sound of tires kicking up rocks was fading and Glyn was getting cold.  The wind was moaning as it wrapped itself between the barn and the house, pressing Glyn’s skirt and coat tight against her, her hair in her eyes.  She shivered as she held the hair away from her face, peering through the gloom of the approaching storm for one last sign of them.  And there it was.  Off in the distance as the trucks began the long ascent to the mountain pass she could just make out the rising dust from the road like smoke from a steam engine, rising and dissipating in the wind.

______________________________

Julia Rust lives and writes in the shadow of the Tappan Zee Bridge in the Hudson River Valley.  (The cardboard carton, she assures us, is really, really cozy.)  She has 20 years experience as a performer in regional and local theater.  She has completed one novel, Crossing Lines, and is deep in the throes of two more.  A short story from a collaboration with a fellow writer was published recently in The Cortland Review.
Rust_j_workspace
Julia writes: "I saw a call for submissions for a short story collection entitled Rode Hard, Put Away Wet edited by Sacchi Green and Rakelle
Valencia.  They were looking for lesbian cowboy erotica, and I thought, what the hey, and put my hand to it.  I spent a few years in Wyoming as a kid, then again at a two-year college in Casper.  I was never a cowboy, but my sister worked on a ranch a couple of times and I had a pretty clear idea what it involved.  I am not, however, a lesbian.  I’ll confess tosome bi-curiosity, but I’ve come to terms with the fact that women are beautiful but men turn me on.  Still I wanted to write a story that included a lesbian sex scene and have it be effective.  At least I wanted to try.

What happened, however, is a thing that used to bug me about my writing, although I’m beginning to count on it now, how the story I set out to write is never the one I end up with.  The character’s voices, Glyn’s in particular, were so strong to me, they evolved into living breathing creatures, and I couldn’t force what wasn’t meant to happen. I had the two women left alone in a blizzard, the power going out, pulling up blankets by the word-burning stove together, but it just didn’t work.  My characters were not happy.  The lesbian theme sort of dropped out and the predominant feeling that was left was loneliness, and fear of aging.  Thanks again, to Sacchi and Rakelle for the seed that became “The Rancher’s Wife.”  And thanks to Doug Lawson for liking the story enough to put it in The Blue Moon Review."

The Great Linsky, by Matthew Fredericks

It occurs to me now that we never actually saw Linsky drinking. We saw him nearly every day out on Broad Street, talking out loud to no one, or slumped over in the park, all red-faced and drunk. From inside the school bus we would see him on the sidewalk, smoking a cigarette, fifty years old and lean, not soft and rounding like our fathers and grandfathers, and he’d be on the wobbliest of legs. Yet for all the times we saw him slurring and stumbling around our town, I can’t remember any evidence, no half-empty bottle in his hand, no dull, silver flask sticking out from inside his jacket. It was as though Linsky was just inherently drunk, as if by no fault of his own he had fallen into a stupor and couldn’t get out.

Linsky wore a plain, white undershirt year-round without a coat, perhaps insulated by too much vodka, probably just indifferent toward his own health. I don’t recall ever seeing his hands in his pockets or up to his mouth, seeking warmth from his corrosive breath. The old man’s face was ugly, but somehow not unattractive. He had lousy, mismatched features that, when taken by themselves, were terrible the way any old drunk’s nose and eyes and lips might be if you found them on their own. But that’s not how you saw Linsky, as a collection of bad parts. To the contrary, he carried an appeal that made you want to look at him and see past his most apparent flaws. He impressed you as someone you’d want to know about, someone who must have once been going somewhere, somewhere big and boundless, and you wondered how he’d arrived in our narrow town. Sometimes in the evenings I would drive with my father to the drug store for my dad’s cigars and we would see Linsky picking up trash around the parking lot for the store’s owner, trying to make a buck, completely plastered. I can’t forget the way my father looked at him with curious, regretful eyes and a sagging face that made me think he wished better things for Linsky. "Let’s go," he’d say, ending the moment by wrapping his arm around my shoulder and leading me into the store.

But when my father wasn’t there, I joined my friends in making fun of the old man. We’d scrunch and contort and pull at our faces and wobble around and mumble in Polish-accented slush. If I held my breath for more than a minute I could turn my head the same color as his. The guys loved this.

We got the strongest shot of Linsky on Saturday mornings when we played tackle football in the park. He’d meander to the field always right as the game was beginning and he’d stay until we were finished, yelling a fiery mix of Polish and booze all the while. He’d hiss when one of us dropped an easy pass and growl when we missed a tackle. If the weather was cold and one of us wore a hat, he’d grumble and call that boy a "pusskie", sounding like Popeye emasculating his nephews. One winter day we all wore hats and gloves and Linsky waved his arms in disgust and called us all "a bunch ov goddamn pusskies", reminding us just how tough we really weren’t. Despite his accent, the old man had quite a handle on the most colorful words we’d ever heard. Our fathers could curse with the best of them, especially at us, but even they would have been impressed (and probably pissed) if they ever heard some of the beauties Linsky came out with. When it came to swearing, Linsky’s unsteady, vodka-English was actually an advantage, enabling him to rip off a line of curses none of us had ever heard in that particular order; his cursing was unorthodox and this paid great dividends when he got hot. Sometimes our games were delayed when Linsky exploded with a particularly drunk and profane tirade and one or more of us had to lie down in the grass to laugh. I remember the way it felt to lie there, looking up at the sky, laughing with cold, red cheeks, white breath billowing out of me. The Earth felt safe and fun and full of promise and our role in it, uncomplicated.

One Saturday morning there were six of us in the field at the south end of the park, on the other side of the river from the sand box courts where the Italian men played bocce at surprisingly high decibels. When Aaron and Roger arrived –they’d stopped to grab Gatorades – they said our only fan was on his way.

"We seen Linsky over by the river," said Aaron. "He’s freakin’ crushed."

"Yeah," Roger sang, "he’s totally piped."

It was always fun to invent new terms for how deep in the bag Linsky was. We didn’t know what half of the words meant, but almost any unusual description spoken with enough inflection was appreciated. I’d never heard the word "piped" before Roger said it, but I didn’t need a definition to find it hilarious.

"Cemented," said Mike, placing particular emphasis on the middle syllable.

"He’s on the fuckin’ Tilt-A-Whirl," I said, laughing.

Then Roger motioned toward me with his chin and said, "Let’s choose ‘em up. My turn. Danny."

Because we were in eighth grade and we were the biggest, Roger and I were always the captains and we alternated the first pick each week. Danny was neither the fastest guy on the field nor the strongest, but Roger took Danny first every time because they lived across the street from each other and had been best friends since they could walk. If Lawrence Taylor had shown up and asked if he could join the game, Roger still would have picked Danny first.

"Timmy", I said.

"Mike."

"Clinton."

"McKeague."

"Aaron"

Simple as that. Four on four.

And Linsky. He came from the same direction that Roger and Aaron had come, from over by the bridge, like they’d said. He was moving slowly and singing a song I didn’t recognize but it sounded proud and patriotic and also sad, and I wondered where he had learned it.

"The band’s here," said Timmy. As we took our respective sides, we kept an eye on the old man as he sang his way to the bleachers.

Roger’s team kicked off to us, which meant the guy with the best arm on their team got a running start and threw the ball as far as could in our general direction. Nobody ever actually kicked the ball in these games, probably because none of us could do it with any accuracy and we didn’t have a kicking tee. I’ve never played in – or heard of – a playground football game where the kickoff wasn’t really a throw.

We couldn’t remember a time when we didn’t know the rules – four on four, one point for a touchdown, no extra points, three completions for a first down, seven Mississippis before rushing the quarterback, one blitz every four downs, tackle as hard as you can, no penalties, someone-always-gets-his-shirt-ripped football. The front of the end zone was usually marked with someone’s sweatshirt or, if one of us remembered to roll it over, a fifty-gallon drum used for garbage over by the large stone outhouses. There was no back of the end zone.

Our games were like big, colorful swirls of action, each of us wearing the jersey of a different big-league player. I’ve never felt better than on those days when the air was crisp and fresh and the wind blew through my jersey. I wore Harry Carson, New York Giants, number 53. Most of us loved the Giants but more than that we admired and emulated individual players, linebackers and running backs and safeties we were sure we would someday replace. It never occurred to us that we might not all grow up and play pro football.

As the game began, Linsky stopped singing and sat down on the bottom bleacher where he most liked to sit, shouting out instructions like he was our coach and we weren’t performing up to his expectations.

After about two hours of trading touchdowns, Roger said, "I gotta go soon. Some stupid birthday party for my Aunt."

"That sucks," was the general consensus but nobody bitched. The games always ended like this; if somebody didn’t have to leave, we’d play all day.

"Next score wins," I said. It didn’t matter the score at that point; every game ended in sudden death, whether it was tied or not. It was just more fun that way.

Our team got the ball on an interception by Clinton. On the third play of sudden death, we gathered in a huddle, which we rarely did, and talked about what to do.

"Let’s go for it," I said. "Which one of you pansies can get open in the end zone?"

"Me," said Aaron.

"No," objected Timmy, "Roger’s playing me real loose. At the snap, I’ll step back. You throw it to me and then go long. Nobody will be covering you."

I smiled. "Don’t let Linsky see you soft-arm this pass, you pusskie."

We broke the huddle. Timmy split out wide right, Clinton and Aaron on the other side. I picked up the football, the weathered, brown ball we used every week unless Danny forgot it in his father’s car and his father accidentally took it to work. On those days we used one of the Nerf balls we got for Christmas, but we didn’t feel as good about using a toy. Danny’s ball was the real thing.

"Shotgun," I said and slowly stepped back. This is where my memory turns into a movie and I can watch everything that happened over and over again, always in the same detail, frame by frame. I looked toward Aaron and Clinton and, just beyond them, out of his seat and moving now along the sideline, was Linsky. I said "Hike!" and everyone was in motion. As I drifted to my left, Timmy faked like he was going deep and instead shuffled back behind the line of scrimmage. I turned, threw him the ball and took off toward the left sideline and the corner of the end zone. Aaron and Clinton had run their routes to the center of the field so no defenders were near me. Roger got caught in the traffic and Mike was still yelling Mississippis at the line of scrimmage. I was all alone, wide open for the winning touchdown. Timmy drew back his arm, in slow motion now I can see it, and threw the ball as far as he could in my direction. The ball wobbled in the air like a pigeon, like someone had it on a string and couldn’t keep it still. I was running wildly and, realizing the ball was behind me, I turned my shoulders to watch it and somehow stop myself to catch the under-thrown ball as I ran backwards. But momentum carried me forward. My feet couldn’t keep up with my hips and knees and as the ball tumbled out of the sky my ankles crossed and suddenly my shoulders were on the ground with the rest of my body still moving forward above me, ass-over-teakettle as they say. I came to rest on my belly. Roger’s team cheered.

From where I was lying, I could see the ball roll end-over-end away from me. My eyes followed it and for a brief moment I could see only the ball and the grass. And then Linsky’s feet. The ball rolled dead right in front of him, the old brown football next to Linsky’s old brown shoes.

We’d played an awful lot of football in that park and Linsky had been there all the time. He was as much a part of those games as Roger or me or any of the guys. But never once in all those Saturdays did any part of the game get that close to Linsky. None of us ever saw him up close and never had the ball rolled his way. He was part of the game for sure, but still only a spectator. I got to my feet and brushed off some of the dirt and grass that clung to me. Linsky was mere feet away and the air around him was drunk with his breath. It was suddenly quiet in the park and I remember thinking it was like refrigerator noise, how you only notice it when it stops. No one knew what to say.

The ball was too close to Linsky for me to go for it. I don’t mean that I was afraid - I wasn’t - but I confess to being fully aware of how close I was to him for the first time. My hesitation wasn’t caused by fear; maybe I just felt like it would be rude to trespass on his space, that to pick up the ball that was so close to him would be to assume he didn’t have the courtesy to pick it up and give it to me. I wasn’t sure.

Then Linsky bent slowly at the knees, lowering himself to the ground and taking an athletic position on the balls of his feet that surprised me. He looked like a baseball catcher. But he waited a moment before reaching out for the ball, unsure, it seemed, of whether he really wanted to pick it up. When he finally reached out and put his hand on the ball, for the first time I got a feeling like he was afraid of something, an emotion of which I had previously not imagined him capable. He picked up the ball and held it close to his face like he was smelling it. He closed his eyes. I stared at him.

The memory of Linsky’s wine-red face contrasted against that leather football never left me. I was reminded of that day years later, when I was twenty-seven years old and a lifetime removed from our days playing roughhouse football in the park, and I read a faded, yellow newspaper article about a once-mighty football player named Jerry Linsky. I’m a small-time sports writer now, covering the local scene, occasionally researching topics of historical significance to local athletics. While at the library one afternoon, sitting amongst dusty binders of journalism and cobwebs, I discovered that our old drunk fan played one year of high school football during which he captured a conference title and apparently more than a few hearts. Incredulous, I read as Linsky’s name jumped out of headlines and cover stories and articles speculating on which big-time college program would land the young Polish star. Quotes from players and coaches and fans sung the praises of this kid who, at the age of 17, could already throw a football farther and better than any college player in the country and whose smile on and off the field made him the area’s favorite non-American all-American. One quote was attributed to a then-young assistant coach whose name, it turned out, also appeared in my local white pages. We met for lunch recently. I’d guess this gentleman to be pushing about 70.

"That kid," he said, "was the best football player I ever saw. I’m telling you, God gave things to Jerry Linsky he never gave anyone else."

"The same guy," I interrupted, "who used to be drunk all the time down on Broad Street and in the park?"

"The same one," he said and then, reconsidering, "but he really wasn’t the same, if you can understand that. I imagine at your age, by the time you saw him, there wasn’t much left of the kid I knew. But that boy was special. He was on his way. Picked up the game so fast you couldn’t believe he never played it before. His family survived the war and came here to work. His father didn’t understand football, didn’t believe in it. But he let him play that one year while he finished high school and it was like the kid was made to throw the football. We didn’t lose a game and Linsky got offers from every major college in the country. Couldn’t keep the scouts away. Then the summer came and nobody knew what happened. We figured we’d read about him out at Michigan or West Point or somewhere big. Next thing we heard, he’s working long hours in his father’s butcher shop. I never saw the kid sober after that."

Back in the park, standing in front of the bleachers, holding the football, Linsky opened his eyes and I could see in them a look of recognition, like something warm and welcome returning. He didn’t smile, but somehow I understood that a kind of pleasure, like so many fingers of vodka, was slowly soaking through him.

Without turning his head, Linsky looked at me with his suddenly lively but unrelentingly glassy, bloodshot eyes. He didn’t dart his eyes at me, just gently turned them, almost inquisitively, in my direction. I never thought him capable of appearing so human, so real. He made a motion to me that any boy who has ever played a down of playground football would understand- he held the ball with two hands, elbows outward, and lifted it slightly while simultaneously nodding his head upward toward me. The drunkest guy in town was telling me to go long, standing in the park in his tan slacks and white undershirt, barely able to keep his balance, sending me out for a pass. I didn’t hear a thing from the guys; the field was quiet except for the birds adding commentary high in the chestnut trees above the bleachers.

I walked a few steps away from him at first, keeping my eyes on his face, awaiting some confirmation that I’d read him correctly. With both hands Linsky raised the ball a little further, using it to point in the direction I was to go. I hurried up, only slightly, then a little more, jogging now, and when I turned my head back to him, he again had the ball to his shoulder and I never knew a man to appear so filled with the wonder I saw in him then. When I reached what I deemed to be a spot far enough for him to throw me the ball, I stopped and checked back with him again. I looked, too, at Roger and Danny and the guys. They were all watching Linsky.

He motioned me on and to hell with it, I said, I’m gonna give this a run. I broke into a sprint, feeling the wind against my face, feeling the muscles in my legs work, my feet trying to keep pace with my heart. I kept running, halfway across the field now, abandoning thoughts of what I was doing, just enjoying the feeling of running in our park, full to the brim with childhood recklessness and loving it. Finally, lungs starting to ache, I craned my neck and saw Linsky spread his feet, raise the ball to his ear and, with unexpected grace, loft it toward me, a streaking fourteen year old boy with big football dreams.

We never saw Linsky again after that day. The ball landed in my hands with greater softness than any pair of balled up socks I’d ever thrown to myself and then caught as I dove onto the bed. He disappeared after throwing the most amazing pass each of us will ever see. By the time I slowed down, football tucked under my left arm, my other arm extended in the air triumphantly, seemingly miles away from the ball’s launch, the old drunk man was walking out of the park. Roger told me Linsky stayed just long enough to see the reception before turning his head and making his way away off the field. "Nice throw!" I hollered, not knowing what else to do.

If any of the guys ever heard anything about Linsky after that, they never shared it with me. Roger is the head coach of our high school team now and sometimes he and I meet up for a beer on a Saturday night after a game. Sometimes we remember the old man and sometimes we talk and smile about the pass he threw to me, the kind of stuff that stays forever important to childhood friends.

I went to the park recently after a long time away. The trees are taller now and the bleachers have been removed, but the place where they stood is still marked with the steel posts that once gave them stability. I had with me a long measuring tape borrowed from the track coach at the high school. It took me a few minutes to find the spot where I caught the ball, just a few feet in front of the concrete drinking fountain on the opposite end of the field. I measured the distance of the pass – 63 yards, give or take a few for an aging memory.

Roger says Linsky must have gone on a vicious bender, probably ended up drinking himself into an obituary we were too young to take notice of. But I like to think the old man cleaned himself up after that day, perhaps having somehow shed the anger and frustration that pushed him to the bottle, or at least having made peace with a life that couldn’t be relived. I imagine him sometimes on a football field somewhere upstate, or out west maybe, a whistle around his neck, trying in earnest but in vain to coax from some young quarterback the magic he knows is possible. I’ve checked the rosters of high schools and colleges in most states, but my fantasy ending for Linsky never checks out. Foolish optimism, maybe. Maybe he did die a lifelong boozer, hanging on to all of his habits but one – coming to watch us play on Saturday mornings in the park. Maybe he’s still drunk somewhere. I don’t know. But I know that he completed a pass to me once. The great Jerry Linsky, the old man with the ugly red face, hit me in stride with a spiral at 63 yards and then walked out of the park. Pusskie.

_________________________

Matthew Fredericks grew up in tiny Hamburg, New Jersey and now resides in Bloomfield, NJ with his wife, Jeanne.  He practices law and plays golf when he isn't writing. 

About this story, Matthew writes: When I was young I played a lot of tackle football in the ballfield down the street from our house.  That's what we called it - the "ballfield". That part of the story is rooted in truth.  Linsky, on the other hand, grew from a collection of memories involving angry school teachers and empty beer cans in the woods near the ballfield.  If Linsky did exist, he'd have been invited to my wedding last October.

BEER IN HIS EAR, by Mike Lubow

     Vortex was as strange a town as its name implied, and whether or not I believed in the New Age stuff, which I didn’t, it worked a spooky power over me. This is because of some inborn machinery in my psyche, having to do with suggestibility.

      I’ve been a victim of suggestibility problems since childhood, being unable to hear about any spooky danger, horrible disease or other bad luck kick in the butt without having the shakes, symptoms or whatever other imaginary troubles go with the thing.

      When I was ten I thought I had syphilis and moped about it until my parents had to take me to the doctor. They laughed on the way there, and this calmed me somewhat, but I was still scared. A pimple on the pre-pubescent peepee does not mean syphilis, but hey, maybe I was the first.

      Tina and I had to get out of The Butte Spa where we were staying. She was a cop on vacation, an unlikely new pal for an adman at a blue sky session hosted by a client of unlimited pretensions, but we’d met on the walking path out back in the dewy cold desert morning and hit it off because we both liked bird watching and got excited together about seeing a phainopepla, which is a rare black jay. We’d made a date for that night.

      The Butte Spa itself was just too constricting or confining or confounding or con-everything, it being, above all, a con job of the ritziest sort of resort, at least I was starting to think of it that way. And its clientele, mostly aging rich women or celebrities in sunglasses, caps, wigs, scarves or just gray, un-celebrated, natural faces—the best disguise of all—was making me uncomfortable, so we agreed to head away from the grounds into the nearby town of Vortex which was half authentic, half spoiled.

      We found a bar called the Cock & Bull and wanted to have a quiet drink, just the two of us, at least that was my hope, but a stranger named Chuck joined us, uninvited, and if Vortex wasn’t the weird capital of Arizona already, he would have been enough to give it the title. The bar was only a little touristy, with a collection of mens’ ties hanging from the ceiling. Apparently the joke was that when some uptight sucker dressed in a tie came in, the cowgirl waitresses would surround the guy and snip his tie off at the knot with a big rounded shears. Aside from this corny but good-natured nod toward the traveling traffic, the place had a decent amount of local color, which meant it had colorful locals and smelled beery.

      Chuck was jumpy, acting like he had Saint Vitas Dance; a condition I’d heard old people talk about when I was a kid, but I never thought it really existed. School teachers, or some elderly aunt impatient with a kid’s antsiness, would say whadya got, Saint Vitas Dance?  I didn’t know what it meant exactly, except I assumed it had to do with why you couldn’t stop moving, and I was always afraid that if I didn’t have it, I’d catch it somehow anyway. It’s a true medical condition, these days controlled by drugs, like leprosy is. And leprosy is an appropriate thing to bring up, because Chuck was a leper of sorts, but I’m getting ahead of myself.

      Soon as Tina and I got settled and before we could define the direction our little tete-a-tete was going to take, this big ragged old stranger, Chuck, as I’ve said, slid into our booth on Tina’s side and asked if we’d buy him a shot and a beer. I was offended by this, for a barrage of reasons that included protectiveness toward Tina’s territory, the interruption of what I was hoping would become a nice date, the intrusion on my own personal space to a lesser degree, the fear of this shaky stranger having some communicable disease and the audacity of him begging a shot and a beer. But what the hell, we were in the vortex that is the town of Vortex.

      Besides, Tina seemed cheered by his arrival, apparently not minding him on her side of the table, and in fairness, he was sitting at the outer edge of the seat, so as not to presume too much of her area. Tina said, “Sure, we’ll buy you a shot and a beer.”

      And we did. The price of a few cheap drinks bought us a good story. Better than any movie we could have seen, had there been a show anywhere in Vortex where we could have taken in a film on our date, which was doubtful.

      “Excuse the shakes, please,” Chuck said, shaking. Then he poured his shot glass of whiskey into his right ear, the ear on the side closest to Tina. He smacked the glass up against his ear, hard, hard enough to make his long, sandy hair jump like a pile of springs getting unsprung. He’d splashed the whiskey down into the ear, the way a cowboy in an old oater would toss back a shot of redeye, but it didn’t go into his mouth. It went, as I said, into his ear. The whole movement was sideways, with the ear acting like a mouth, but smaller and without any jaw action, of course.

      Chuck seemed to take this in stride, giving his head just a little shake to keep the whiskey in there, keeping the tilt just right so it wouldn’t spill out, although some of it did leak down the side of his neck onto his soiled shirt. No earhole is as quite as big as a shotglass.

      “Everyone knows this,” he said, “ But I shot a coyote and that was the start of these problems. I’m figuring, you see, that if I tell enough people about this, I can talk my way out of the thing, or somebody’ll know how to help, but I’m not holdin’ my breath.”  And he wasn’t. He talked, shook, then tossed a splash of beer from the beer glass into his ear, the same ear, slamming the rim of the glass “upside the head” as they say in rural parts such as these, but only letting a bit pour in, so as he righted the glass and set it back on the table, it was still mostly full.

      “It was a beautiful animal. I was living twenty, twenty-five miles out of town, where the hills run down into the desert and the saguaros start up again. Around thirty-three hundred?”

      In this country, elevation is used kind of like street numbers are used back in the world I know. In that sane and normal world, when I say thirty three hundred to you, you know I’m talking about the 3300 block, which starts at 33rd street, and you’re pretty well oriented by that. But out here, thirty three hundred means feet above sea level, and gives you other kinds of information, like about the weather. Above that number, for example, you might get snow when it’s raining below it, and fog sometimes instead of sun, because you’d be in clouds up there above thirty three.

      “It’s early, just after sun-up,” Chuck goes on. “And I’m sitting on the steps of my trailer, just watching the day begin. And it’s all totally beautiful, you know, and smells only like it can smell at dawn in the desert, and then I see this coyote walking across the sand flats about a hundred yards off and he might see me or smell me. I reckon he does, since he’s a coyote, but he doesn’t seem concerned about me seein’ him.”

     And Chuck poured a little more beer into his ear. It was a neat pour, not much spillage although a little white foam rose out and about around the folds of ear, then took a moment to settle. He smiled at us, so sadly, and started up again.

      “The sun was low in the sky, because it was early morning of course, like I said, and shining off the coyote’s fur, looking pretty. I wanted to see it better, so I got my deer rifle with its high-power scope out of the trailer, moving slow, not to alarm the animal, and aimed it at him.”

      He stopped. Looked pained, and I thought it was because his story was taking a painful turn, or maybe the booze in his ear was doing something uncomfortable to him in there. Tina looked concerned, all eyes for Chuck, which kind of bugged me. Then he said, to her, not me, which bugged me even more, “Honey, could you possibly stand me to another shot?”

      Tina signaled the waitress and ordered shots and beers all around. Nobody said anything while we waited. Chuck’s story took a commercial break and I was trying to phrase a question about why the hell the guy was pouring alcohol in his ear, but couldn’t get the words out. Must have been the clutches of the Vortex on my powers of speech. Tina just looked comfortable. I don’t know why.

      The drinks came and Chuck resumed talking. “With the scope, I can adjust the magnification 10 times, get in real close, see that coyote like it’s ten yards away, like he’s in my front yard. Which I do, y’see, and the animal’s really great to look at all big and close up like that, you know?  And I figure, how very, very nice it would be to just have it, to own it, to make it become a part of my things, all the wildness and free-ness, and I just don’t want it to go away. Can you understand that? I wanted that coyote to be mine.”

      Tina says, “I sorta know what you mean,” but she says it into her beer, not giving too much of herself to this stranger, and I approve of that kind of reserve. Then she adds, “I felt like that about a coyote fur coat I used to own.”  She looks at me and gives the cutest wink on the side that’s away from Chuck, although he wouldn’t have seen it because he was dripping half a shot of burning, biting brown whiskey into his ear, just a neat half jigger this time, holding back some for later. I wondered if it made its way down that tube—I’m embarrassed to say I know the name of the tube, the Eustachian tube, because being a bit of a hypochondriac, well, I know such things. In fact I’ve worried that my Eustachian tubes get infected once in a while, especially in winter. But that’s another story.

      Unfazed, Chuck continued, “On impulse, I pulled the trigger and put a bullet right into that animal’s beautiful heart. Didn’t really think on it, just did it. Just didn’t want him going anywhere. Wanted to own him, right?”

      I’m thinking of this guy shooting a gun, owning a gun—and wondering, where is it now?—probably out in his pickup truck. All these rubes drive pickup trucks. I always wonder what they pick up with them. I never see anything in the bed back there. Seems like a stupid vehicle to me, and part of a redneck ideology that I find a little off-putting and scary to be frank. They usually have rifle racks, these pickup trucks. And Chuck’s rifle is probably out there in his pickup in the parking lot, and he could have it in here in a minute if he wanted to, or follow us on the way out and, who knows? 

      And I’m thinking of this guy using the gun, knowing about the bullets and the firing, and then how he actually killed a big, living animal like a coyote. It was unsettling. The guy was a murderer of sorts, and he was sitting with us, bumming drinks and pouring them into his ear, interrupting our little sort-of first date. Well, I guess it was making the first date a memorable one so far. I don’t think I could have been as amusing to Tina as Chuck was.

      She didn’t seem scared by him. She had a confidence about her, but after all she was a lady cop and probably had a gun in her fanny pack or strapped to her thigh, for all I know, or in a little flat holster at the small of her back. The possibilities!  And why are they sexy?  Gun or not, she probably knew karate or some fighting skill that gave her confidence. I realized I had no easy idea about how to entertain her on a date, and the creepy Chuck was probably a lucky break.

      I said, “You actually killed this animal?”

      He said, “Shee-itttt. Happens all the time around here, buddy. But I didn’t do it for the usual reasons. I did it because it was beautiful.”

      Tina said. “I think I understand, Chuck. And I’m sorry.”

      He raised the half full shot glass in salute to Tina, then a quick, perfunctory little salute with it in my direction, tilted his head and dropped the rest of the whiskey into that same wet ear. He chased it with a dollop of beer dropped down there. This time he wasn’t dainty about the foam and it ran down to his shoulder but he didn’t acknowledge this. In fact he looked like the cold liquid had jogged his memory and helped him recall some detail he’d almost forgotten.

      “It was the beginning of the sickness, for me,” he said. “I’d always figured if I came across a dead coyote on the road, one that was fresh killed, I’d take my knife and slice off a tuft of hair from it. I wanted the hair of a coyote, I can’t tell you why, but I just did.”

      The juke box started playing Willie Nelson improbably singing Stardust and this haunting background music fit the moment, going well with Chuck’s storytelling, along with the din of other drinkers and the smell of bodies, beer and grease from whatever snacks they fry in the kitchen.

      “But I never did see a fresh, road-killed coyote, so I never could get a hank of hair. But now, there was one lying on the ground in front of my home. Not road-killed, me-killed, and for a moment, I didn’t care how it got itself killed. I was going to get my souvenir.”

      “Chuck, you poor baby,” Tina said, and I had no idea why. He was poor, that’s for sure, but he was no baby and I didn’t care for the kindness in that word, directed at this clearly deranged stranger.

      Chuck knocked back some more beer into his ear; this time neatly as such a thing can be done, and continued. “I put a little leather thong around this clump of hair I took off the dead coyote. Nice brown and red hairs all tucked in at the middle. I wove the long end of the leather strip into my hair like I’d seen a traveling Zuni brave do on the reservation out in the Superstition Mountains years ago. I’d always liked that look. Figured I’d have that coyote, a part of him at least, with me always, and I’d own me some of his, you know, style and power. See what I mean?  Is that bad?”

      I shrugged. The beer was making me comfortable and stupid. I had no opinion yet about anything Chuck was saying, and no idea what the hell he was talking about. I was just waiting to see if he’d pour something else into his ear, and kind of hoping he wouldn’t, as it was getting disturbing. But then he did it, splash! And he went on, a puddle of beer creamy white on his earlobe and down his neck, his eyes red and unhappy, his voice quivery but powerful with a dementia I felt like backing away from, as though it were caused by germs.

      Everything is caused by germs. Cancer, insanity, heart disease, things the public doesn’t normally associate with germs, but on a gut level I know better. And you might think germs are off the subject here, although there’s clearly some insanity in the vicinity, germ-caused or not, but germs are going to play a role before all this is over. Well not germs exactly, but small unseeable little bad things. Just wait.

      “Now, that coyote had a thing called mange,” Chuck said. “Although I didn’t see it on him, and the mange is caused by mites, they’re small bugs that you cannot see, but they crawl around on an animal and they can be mean little bastards with teeth and claws, and they’ll eat your skin. But they didn’t go on my skin. They went into my ear, a whole bunch of ‘em, millions, they set up camp in my ear, down deep and started to eat and breed.”

      Tina turned to face him head on and looked at him. I thought she’d be showing us some pained feminine sympathy or nurse-like tenderness, but she looked at him coolly, like she was looking at an interesting specimen, a scorpion under glass in the Sonoran Nature Center, which wasn’t too many miles from where we sat. I felt a chill. Tina wasn’t like other girls.

      “Made me crazy with the pain of it. I poured hot water in there, and it didn’t kill ‘em. Gasoline did nothing. I poured grain alcohol in there and it was the only thing that numbed the pain and made me feel a little better. I went down to the clinic in Vortex?  They gimme pills and tell me to lie down, and they put some green antibiotic shit in my ear and bandage it up, but they ain’t making any promises. Soon I got a fever, and then it just went higher. I was out of my mind with the itch and pain anyways, and then I get even crazier because of the fever. I don’t know how high it went or how long I had it, but the world through my eyes was bent out of all recognizable shape. Mange inside your ear’s a new one on the doctors and they don’t want to say much, but I could tell they weren’t sure about what was gonna happen. I spent the night on a cot in their waiting room, and there was a stuffed bobcat on a shelf above the nurse’s desk. In the middle of the night I woke up and I was out of my head with fever dreams and pain, and I guess the medicine must have made me even crazier, because me and that stuffed bobcat started having a real good conversation.”

      Suddenly I flashed on the old poem, Rime of the Ancient Mariner, which was appropriate of course, as this old Chuck character was a tortured soul telling a story to strangers passing by. The jukebox switched to Hank Williams’, Tears in My Beer, while Chuck’s problem all started with a hank of coyote hair, poisoned with mange mites. His eerie story, the memory of the old poem, Hank’s music, they all combined to make the moment a set piece I didn’t mind for a bit of night-out entertainment, but didn’t want to take home with me. I swigged the rest of my beer, enjoying the buzz and spooky feel of our booth, knowing we were in the sway of Vortex.

      “About three in the morning, me and the bobcat are talking. It had been staring, mocking me, and I could tell by its eyes that it was enjoying my discomfort.”

      And Chuck reached over and without asking permission, emptied the few drops of whiskey that sat at the bottom of my shot glass into his ear. Then used a few drops of beer from his own glass to tamp it down. An ordinary ear couldn’t have taken any of this, but his was battle-scarred and cooperative toward any excesses of booze at this point.

      “Finally I say to the bobcat, man, you’re in animal heaven or animal hell or whatever. Wherever the hell you dead animals go to when you’re dead. I know I’m being punished, being put through all this fucken pain for killing your coyote buddy. The coyote’s doing it to me, ain’t he? It’s a curse, ain’t it?” 

      Chuck looks at Tina, then at me, making sure we’re taking this in. “See, guys, I knew for sure that the coyote had put this curse on me, and I was gonna hurt and lie there all crazy and dyin’ until he’d take it off. And I figured if he knew I was sorry for killin’ him, then maybe he’d forgive and forget. I was feverish, remember.”

      He poured a nice slow pour of beer into his ear, cocking his head way over to get the liquid into some spot he might have missed before, and went on, “And the bobcat answers me, sure as I’m talkin’ to you. His mouth moves like a person’s, and his voice is kind of high and old-like, even though it’s mean and purely wild, you know?  And he says, ‘Sure, Chuck, I can talk to the coyote for you. I’ll see what he says. Maybe we can work something out. I hate to see you hurtin’ like that. I know something about hurtin’, myself, as you might expect, being’ stuffed and all, and with these marble eyes which don’t fit too good.’  That’s what the bobcat says to me, and I figure, I got something to hope for now.”

      The waitress stopped by and asked if she can get us another round, and I’m too interested in what the bobcat’s going to do for Chuck and can’t switch gears to think about beers. Chuck says, “Another round all around, dearie.”  And it sounds odd, the dearie, coming from this punch-drunk ear drunk. She takes our empties and leaves.

      “Well, I musta conked out for a while, because when I wake up I’m all wet, like I’d been swimming, but it was just sweat. And the bobcat was calling me. I guess he’s the reason I woke up, and he’s saying, ‘Hey, I  talked with the coyote and he told me when the pain and itching would go away. Want to know what he said?’”  ‘Hell yes, I do,’ I said to my friend, the bobcat. ‘Just tell me what he wants me to do, I’ll do anything.’” 

      The waitress came with shots and beers. Chuck grabbed the nearest shot and chugged it onto the side of his head, wetting his hair but still getting most of it into its intended hole. Just because the story’s got me and Tina all riveted and painted into this Vortex bar’s scenery like we’d never been anywhere else or would ever go anywhere else, didn’t mean that Chuck would stop ear boozing. Then he began talking again.

      “The Bobcat says, ‘The coyote wants me to tell you that your pain and itch and internal head mange will stop on the day that the coyote comes back to life.’ And I say, but the coyote ain’t never comin’ back to life. I killed it. And the bobcat says, ‘the coyote sure as hell knows that’.”

      And Chuck raised my jigger in a toast to himself, and tossed it into his ear. He righted his head, looked at us and slowly, sadly shook it. I don’t know if my ear started itching then or it was just my imagination, but I tried to ignore it, glad as hell I’d never shot a coyote and never would.

_________________________

Mike Lubow’s short stories have appeared in national magazines including Playboy, and many literary magazines. He also writes a regular column for The Chicago Tribune.

Mike writes: "The story “Beer in His Ear” is an attempt to amuse while covering a subject that could be ominous: the contrast between urban neurotics and backwoods country people.  Urban types want to appreciate the outdoors from a safe distance, while the others might see it as a kind of vast butcher shop. When these cultures rub up against each other, we could have a civil war of sorts. Or, instead, we could have fun with goofy characters.  Especially if there’s a hook, something unusual that makes you say "what?" and keeps you going ‘til there’s a payoff.  This story's pure fiction, although helped by experience.  There is a bar like this in Arizona, along with spas, vortexes and pickup trucks.  There are mange mites that can jump from canines to people.  And there’s the true story of John Speke, the African explorer who got a bug in his ear and was driven so wild by it that he actually...well, you don’t want to know."

TAKING UP WITH BERTA, by Jamey Gallagher

     Once again my mother has stranded herself on a sandbar.  Every few weeks she steals my brother Harry's jetski from its slip and takes to the ocean.  At first we worried, but she always ends up in the same place -- up to her ankles in water, calling me on the cell phone that Harry bought for her and that she keeps clipped to her shorts.  It's the same sandbar every time.  She can't seem to avoid it, which is good because it stops her from heading out of the Bay and into the ocean proper, where who knows what could happen.

     She's crying when Harry and I get there, her face turned in at the corners like a crabapple doll, her body sagging.  Harry makes a quick getaway, driving his jetski back to shore, leaving me to be the shoulder.  Mom is wearing a bright yellow lifejacket and hugging her is like holding up an enormous plastic toy you'd win on the boardwalk.

     "Hey, hey," I say.  "No more of that."

     "No more of this," she splutters, gesturing indistinctly at the ocean.

     "It's not your fault," I say.  Because, really, it isn't.  Age derails the brain.  What once seemed weird becomes protocol.  We all become eccentrics in the end.  I pile her onto our 19 foot bay boat, where she sits on the back bench staring glumly at the horizon.  By the time we're back to the boat slip she's returned to her usual, ebullient self.

     "Well, that was fun," she says, kissing me on the cheek.  "Thanks for taking me out on your boat."

     "Sure," I say, even though it's her boat, or Dad's boat, not mine.  Being unemployed makes it hard to afford things like 19 foot bay boats.  For two months I've been living off an inheritance check from my mother's father, but now that's almost gone.  It would have lasted longer, maybe six months, if I hadn't splurged the first day I cashed the check, binge-buying a few cases of liquor and three shopping carts loaded with food -- watermelons, steaks, baguettes, a hodgepodge.  My two friends and I each pushed a cart across the Acme parking lot, dumping the food into the back of a used pick-up I'd bought that morning.  For three days we got drunk and ate until we threw up.  Dissolution, drunkenness, the usual.  I woke up once with Berta running her hands up under my shorts, and I didn't mind at all. Neither of us is a full-blown lesbian, yet, but we seem to be tending that way.  Men, even good-looking men, don't attract me much anymore.  Their needs, their equipment, their smugness -- why bother?

     Mom climbs into my Nissan still wearing the clunky yellow lifevest.  It bunches up past her shoulders, hiding her face.  All I can see is the top of her nose and her black-rimmed eyes.  Gray hair fountains up and falls around her.

     "Here," I say.  I reach over, negotiate the straps of the lifevest, and pull it over her head.  It's easiest to warn her that I'm going to be doing something, but not to let her know what it is or give her any choice in anything.  I stuff the vest behind the seats, hoping that if she doesn't have it anymore she'll stop stealing the jetski.

     "There," she says, "now isn't that better?"

     "Much."

     At my parent's house, a saltbox a few blocks from the beach that they bought when I left for college, Dad is standing in the driveway, grilling.  Last year he had an incident with the propane grill -- grease had dripped onto the gas line and set off a conflagration, charring a few precious cedar shakes -- so since then it's been charcoal in the little Webber.  He raises his spatula but doesn't smile.

     "Back again," he says.  I can't tell if he means me or Mom.  Either way, it seems a little too offhand.

     Seventy years old, Dad looks about fifty, except for the plaid shorts that no self-respecting fifty year old would be caught dead wearing.  His chest is still broad from when he was a Marine in Korea and he pushes it out in front of him like an adolescent girl with new breasts.  His face is square, but, since he's gotten dentures, not as menacing as it used to be.

     When I was a teenager, Dad would challenge dates who picked me up at home to push-up contests.  He'd always win.  If that didn't scare them away he'd wait until they dropped me off and then he'd show them his extensive gun collection in the work room.  There were ambushes and hand-to-hand combat for anyone dropping me off after curfew.

     Out of the corner of my eye I see Mom slip the lifevest out of the back of the truck and hurry inside with it.

     "Should I throw on another one?" Dad asks, gesturing down to whatever's grilling‹chicken or pork.  "Your mother's going to kill herself one of these days."

     "Keep an eye on her."

     "You expect me to stop her?  Do you think I could, even if I wanted to?"

     It's been three years since my father's suicide attempt.  Harry came home from college for a surprise visit and opened the garage door to toxic fumes. Dad behind the steering wheel, eyes closed, acting dead.

     "You have to fuck everything up, don't you?" he'd said to Harry, even though Harry is the one who has done everything right, and I'm the fuck-up.

     Harry has an actual job that he got straight out of college, something in the biohazard industry.  I'm not sure exactly what he does, but he's a lot more cautious now.  He never drinks anymore.  Mom uses the jetski more than he does.  He's saving money for a house and talks about points and amortization all the time.  I don't really like him.

     Since the suicide attempt Dad has changed, too.  He's become quieter.  He doesn't fight anything anymore.  And with Mom it's just a steady slide into forgetting and anger.

     I'm the only one who hasn't changed in the last two years -- unless you count sexual preference.

     "So," Dad says, "you staying for grub?"

*

     Berta picks me up that night in her metallic purple Chrysler PT Cruiser. It's hard to believe that someone I like, on any level, could drive a car like this.  It's like a blown-up toy.  She opens all the windows and blares the local pop radio station.  Surprise, surprise, it's a song about sex. Berta's blondish hair (dark roots) blows in the wind.  Her face is broad, crossed with a black pair of sunglasses.  There's a part of her that still looks like a little kid.  She's wearing a bathing suit top that's three times too small for her.  Her tits are hanging out, but since she lifts weights her chest is a mix of muscle and actual breast.  Her shoulders are broad and flake off dead, burnt skin.

     "Your mom again, huh?" Berta shouts over the beat.

     We end up parked at the dead end of a dead end road, hidden by a brake of phragmites in front of the Bay, kissing each other on the mouth and trying to decide if we want to swing one way or the other as far as sexuality goes. Neither of us is sure and our kisses are reluctant, laden with guilt and fear, more erotic than any normal kisses could be.

     When the sun starts going down, we head to the deck of a restaurant to eat. The food is overpriced and bland, grill stuff, cheeseburgers and chips on flimsy compartmentalized Styrofoam trays.  A few kids pick up shells and rocks on the beach below us.  A few others throw the same stuff into lapping bay waves.  Older men with leathery skin and white polo shirts sit alone.  A tableful of women that looks like a tooth whitener commercial laughs loudly -- I can't decide if they're ignoring everybody or too concerned with what other people are thinking about them.  In two weeks I won't have any money left.

     I have to get a job.

*


     On my first shift, I shadow an older woman with mousy-blond hair and a Harley Davidson tattoo on her neck.  When my cell phone goes off I know who it's going to be even before I look, and I realize I've been waiting for it, maybe, even, hoping for it.  The restaurant is dark and depressing and we wear skull and crossbones over our left tits.

     "Boy it's a beautiful day out here," Mom says.  "You should come out and see it.  I don't know how to get home."  She starts crying.  I hear seagulls and slopping water in the background.

     "On my way," I say.  I change out of my restaurant shirt in the shitty little bathroom.  The hostess gives me the evil eye when I hand it to her. What can you do?

     When we get to the sandbar the tide has gone out.  Mom is laying supine on the wet sand staring up.  Wispy feathery clouds with blue holes.  A few ominous cumulus clouds in the distance.

     "Look at her," Harry says, straddling his jetski.  "Just look at her."

     I look.  I see.  I shrug.  Maybe compassion is not my strong suit, but with Harry it's not a suit at all  "I'm tired of this," Harry says.  "I have my own life, too."  I don't know what his problem is, since he can leave work at the drop of a hat.  He doesn't seem to report to anyone.  I wonder where the biohazards are, what he's cleaning up, how much danger we're in.  From the sandbar, and from everywhere else around here, you can see the old nuclear reactor, just sitting at the edge of the water.  I'm not sure if they use it anymore, or if my brother has anything to do with it.

     "I'm going to sell the jetski," he says.

     "Don't be an asshole."

     "We've got to be responsible now, Kate," he says, his voice grating and fatherly.  As he drives off, water spumes from the backend of the jetski. He maneuvers cautiously, his head in a constant swivel, ever-wary of the other water traffic.

     I lay down next to Ma on the wet sand, feeling the ocean water slowly seeping into my cotton shirt.  Her breathing is heavy, probably because the lifevest makes even laying awkward, and maybe because of emotional stress.

     "Did you know it's only been five months since Poppop died?" she says. "He was some kind of son of a bitch."

     "I thought he was a sweet old man."

     "You would.  You weren't raised by him.  Then again, look at your own father to get an idea."

     "He wasn't so bad."

     "Are you kidding?"

     I imagine the tide rising up and carrying us both away.  I feel so light all of a sudden -- I would float like seaweed.  They'd find me washed up near the nuclear reactor, still staring up at the sky.

     "You should just lock me in a closet," she says, "and throw away the key."

     "Which closet?"

     "I love your brother's jetski, though.  I love the feeling.  I love straddling the seat, working the handle-things, flying.  The wind, the water's elemental.  I'm hoping someday I'll just float away into all the elements, but this fucking sandbar keeps getting in the way.  I'm not so far gone, you know.  I know what I'm doing."

*


     Berta and I rent a jetski at a place a quarter of a mile down the road from the nuclear power plant.  A hundred or so brightly colored jetskis sit in the sand like beached pilot whales.  A few families walk among them, deciding.  The rental kid has a broken nose and biceps like overstuffed kielbasas.  He looks us up and down as we secure tacky plastic lifevests over our chests.  We let the kid drag the thing over the hard sand into the Bay.  I straddle Berta's back, and off we go.  It's like my mother said -- wonderful, elemental-- although the smell of gas is strong and the water rushing by makes me nauseous.

     We stop at the submerged sandbar and sit there, the water up to our chests, and I feel Berta's legs.  They're smooth, like she's never had to shave, maybe because they're underwater.

     "This is so fucking weird," Berta says.  I don't know what she means, but I stop touching her and she doesn't say anything else.  We just sit there, bobbing a little.  On the way back I drive and Berta straddles my back.  I go fast and carom off waves, taking chances I wouldn't normally take.  Why not?  That's the point, isn't it?

     When we get back Berta is laughing but her hair looks like meringue.

     "You're fucking nuts," she says.  I can tell she means it.  She's half-scared.  I want to kiss her, hard, but I know she'll push away, or do something even worse.

*


     After I pay rent on my two offshore rooms, I'm left with exactly twenty two dollars and fourteen cents.  If I don't get a job in a few days I'll have to bum money from my father.  If it's longer than that I'll have to move into the saltbox and deal, fulltime, with an early Alzheimer's mother and a jackass of a father.

     There are all kinds of things I can do.  I make a list: fast food restaurants, grocery stores, the Wawa.

*


     Harry is smiling in the driveway, wearing a yellow polo shirt and gray chinos.  His tan is deep and even.  His teeth are white.  He doesn't look like anybody I could possibly know, definitely not like somebody I would want to know.  Standing across from him is a white kid with dreadlocks and tribal tattoos down his stringy arms.  The kid is peeling bills into Harry's hand and smiling, looking at me from behind his dark sunglasses.

     "Problem solved," Harry says.  The kid drives off with the jetski on a trailer and Harry heaves a self-satisfied and, I hope, exaggerated sigh of relief.

*


     I eat at the saltbox, because it saves money and looks good to my parents. Even if they know I'm only coming here for food, their parental instincts keep them from acknowledging it.  That's an exploitable fact of life.  The only problem is that Mom no longer cooks.  It's all Dad, and that means grilled chicken, grilled steak, grilled pork chops, grilled fish, shish-ka-bobs, corn on the cob.  I pick silk out of my teeth all day, and I've started gaining weight.

     What we talk about: the weather, sports and People You Grew Up With.  First it was my mother keeping track, but since the suicide attempt Dad has joined the game.  Someone has just graduated from law school, someone has overdosed, someone has popped out a third baby.  Mom and Dad seem to think it's instructive.  Worse yet is Dad's new hobby: jigsaw puzzles.  He has a 10,000 piece New England Mill scene spread over an old table.  He's already separated the main colors and is working on the subsidiaries -- separating tan from brown from ochre.

     After dinner one night I decide to pop the question that's been bugging me for three years.

     "Why'd you do it, Dad?"

     He seems to know exactly what I¹m talking about, but he doesn't answer for a while.  He squints at a tiny puzzle piece.

     "It's not easy getting old," he says.

     "You were trying to pull a Hemingway?"

     "Too bad I sold all my guns for that damn boat, huh?"  The puzzle gives him somewhere to squint his attention.  "Don't worry about that anymore, though. I'm over that now."

     "Well, good," I say.  I want to tell him to ease up on Mom, to make her life a little easier, but I know where that will get me.

     "I know this guy," Dad says, when I start standing up to leave.  "Needs help painting houses.  Not much to it."

     So I start working for another ex-Marine.  He calls himself  Big Bob and challenges his workers, mostly Mexicans, to push-up contests.  It's apparently a thing with ex-Marines.  I paint and keep away from everyone else.  I endure lustful looks and collect my pay.  The next week I do it all over again.  It's not all that bad, but it's not all that good either.  It keeps me afloat and saves me from moving back home.

     I'm at the saltbox most of the time, anyway, so the difference is minimal. Mom looks out the window at the side yard, where the jetski was when it wasn't in its slip, and Dad calls her a crazy bitch and refuses to hand over the car keys.  They've stopped talking to each other, but sometimes they talk through me.  "Tell your mother I'm cooking chicken," "Tell your father I'm not hungry yet," kind of thing.  They are unhappier than they've ever been in their lives.

*


     I'm painting some kid's bedroom bright purple.  The day is oppressive and muggy, the paint seeming to hover in the air, purple drops the size of raindrops.  Atomized paint seeps into pores and alveoli.  The room is walled with cheap plywood, which the purple saves.  I'm taking my time.  I can hear Classic Rock blaring in the living room and merengue coming from downstairs.

     A heartbeat goes missing when I realize that the paint is the same color as Berta's PT Cruiser.  I haven't seen her in two weeks.  She doesn't return my calls.  I feel stupid.  I imagine her too-wide face, her peeling, manly shoulders.  I wouldn't mind having a man inside me at this point, but there aren't any tempting prospects around.  The men I work with, the other painters, all smell like footsweat or something worse, something bacterial and quick-growing.  Besides, in the past weeks, they've all gone from lusting for me to ignoring me.  I have become another piece of equipment, an extendible handle, a rollerbrush.  I'd have to wear something demeaning to interest them now.

     My cell phone rings -- sure enough, it's Mom.

     "Come out and play," she says.  "The sun, the sand.  Get me off of here."  Seagulls.  Water.

     She's stolen Harry's old jetski from the new owner's yard.  Apparently she's been driving around late at night searching slips, yards and trailers. While she seemed to be getting better, at least about the jetski, she'd been getting more obsessive.  Harry shakes his head and says he won't get involved, but he's in the boat already, for Christ's sake.

     "Okay, okay," he says, acting like it's me who needs reassuring.  "Maybe it'll be okay.  Maybe he won't press charges."

     It's the same old, but this time Mom doesn't even pretend to be guilty.  She shrugs and grins.  The grin has nothing to do with me.  It doesn't communicate.  She stretches both arms across the back of the boat as we head in.  Insolent Mom.

*


     "We're going to have to lock her away, you know," Dad says.  He's doused Mahi with lime and grilled it.  For once it smells good.  Harry is standing in the driveway waiting for food, too.  It's like a holiday, even though it's not.

     "I agree," Harry says.  "Absolutely.  I have my own life, you know."

     "I've heard," I say.  "Why not buy her her own?  Jetski?"

     "This is about the right thing to do, not the most convenient thing.  If we did the most convenient thing every time, do you know what kind of shithole we'd be in right now?"

     "That's right," Harry says.

     They take turns with the spatula flipping the Mahi.  When it's done, it's just slightly overcooked.

     "Not bad," Dad says, but you can tell he's disappointed.  Mom is wearing black eyeshades and tanning her wrinkly old body in a bikini that might be mine.  She takes a hunk of fish and guides it to her mouth, missing, smearing her cheek.  Her tongue comes out.  It's like a small pink cracked ball.  "Ummmmm," she says.

*


     Berta calls me, invites herself over.  We drink margaritas, get drunk enough to blame the drinks later, and get down to real business in my apartment.

     "I guess there's no more pretending anymore," she says, laying on the carpet, staring at the ceiling.  Her face seems two times too wide.  I climb on top of her, hold it in both hands and look down into her eyes, trying to see someone inside her, someone who doesn't like PT Cruisers or dance music or lifting weights, someone with depth.  I try to find something unique in her -- something beyond my own sense of attraction and curiosity.

     "That was fun," I say.

*


     Harry has left the jetski in its old slip and the new kid hasn't picked it up yet.  It bobs in the slapping waves.  I get on and start it up.  I'm not wearing a lifevest.  The jetski judders on the waves of the Bay and takes to the air.   It's elemental, like Mom said, completely different from the time I rode with Berta.  Alone, the passing water doesn't seem like water anymore, the wind doesn't seem like wind.  I'm part of the same thing the wind and the water are part of.  I'm going about thirty knots, I'd guess, when I hit the sandbar and the jetski bucks me into the air.

I imagine that I'm my mother, that this is how she feels every hour of every day now, out of control, chained to her body like she's always been, but somehow in a new way.  My existence -- experiences and memories -- travels with me in the air.  I can't go fast enough to get away from it, from everything I've ever done and ever failed to do.  I realize I could easily die doing this, but I know that I won't.  The ocean proper approaches.

---------------------------

Jamey Gallagher recently earned his Masters degree from Saint Joseph's University and will soon begin or has already begun teaching high school English in New Jersey.

Berta_3

ABOUT THE STORY:

Jamey writes: "I guess this story started in South Jersey, and it pretty much stayed there. For a long time I thought I was incapable of writing stories set in South Jersey, even though I've lived here for five years now.  There's something weird about the place.  But then I figured the further away from myself I got, the easier it might become.  So, no, I'm not a young woman.  I've never even painted houses or waited for a living.  But for some reason I really like and respect the narrator of this story. I had also been thinking a lot about aging when I wrote the story, so there's that, too."

JUVENALIA, by C. Bard Cole

     Squire had just got himself set at one end of the living room sofa with his spiral notebooks and homework spread out, television tuned to his favorite afternoon programs as background noise, when he noticed something out of the ordinary happening in the backyard.  He hopped off the sofa, walked to the window and squinted.  The afternoon was bright, every tree and flower and blade of grass, every plant in his father's vegetable patch clearly distinguishable and vividly colored.  Only the thing inside the birdfeeder was difficult to discern, as if it was dragging around an envelope of night with it.
       The birdfeeder was shaking.
       It was a very sturdy birdfeeder, a two-foot by one foot by two foot box sitting on a thick post, covered by a gable roof.  Using a borrowed arsenal of serious tools that needed to be sworn at to work properly, Squire's dad built it to stand up to snowstorms, hailstorms, and squirrels. It did not shake in the wind.  It was needlessly, redundantly sturdy.  Once upon a time, Squire was small enough to climb up on it.
       The unidentifiable thing filled up the open space of the birdfeeder like a large pillow forcibly crammed into it.  This "pillow" was covered with dark fur.  A raccoon, possibly, was all Squire could think of.  An unusually large raccoon.
       Squire pushed his books to one side, sat up on the couch, pulled his white tube socks off and proceeded barefoot through the kitchen and out the front door.  He tiptoed across the porch and down the steps, silently and slowly.  Feeling the moist dirt give beneath his toes with each step he took through the grass, he squinted harder at the birdfeeder.  The thing squirmed around, turning.  Squire saw the lighter brown mask of its face. "Holy shit," he said out loud, trying on one of his father's swears.  "It's a little bear."
       Its black glossy eyes fixed on him.
       "Hey, little bear," he ventured.  It didn't respond, unless its occasional blinking was a response.  It didn't seem likely to move.  Squire could tell it was alive and alert and uninjured.  He wondered if it was stuck there, or if it was cozy all crammed into the birdfeeder for some reason.  Squire didn't know if bears could have rabies or not.
       He went back inside and did his homework for a while and put down his pencil and watched the last ten minutes of Digimon.  When he looked out the window again and saw that the bear was still there, he called his father at work.  "There's a bear in the birdfeeder," Squire said.
       "What kind of bear?"  His father was demanding, taking charge, as of yet still bewildered by the very idea.   "A bear?"
       "I guess a black bear," Squire considered, looking at it.  "I mean, it's black."
       "You mean a bear-bear?  A wild bear?"
       "Sure, a bear-bear," Squire said.  "What did you think?"
       Sometimes Squire could be a bit of a storyteller.  "I don't know,"
his father said.
       "It's little," Squire said apologetically.
       "Hmm," his father said.  "Yeah, that's not good."
       "It's not doing anything," Squire said.
       "Yeah.  Still."  His father coughed and was silent for a moment.
"Yeah.  I guess we ought to call Animal Control."
       "Oh Dad," Squire sighed.  "Are they gonna shoot it?"
       "No.  Don't be stupid.  Maybe with a tranquilizer dart."
       "I'm not being stupid."
       They argued over which one of them should call Animal Control. Squire's father wanted him to go across the street and tell Mrs. Almony what was happening and call from there.  Then he changed his mind, saying he would make the call and Squire should go over to the Almonys' immediately.  Squire made intentionally confusing half-statements, agreeing and not agreeing at the same time.  He felt insulted by his father's patronizing attitude.  "It's a dangerous wild animal," his father insisted, "a half a dozen yards from the house."
       "Maybe I should just stay in the house."  Squire looked at Judge Judy on the television.  "I should just stay put."
       "This isn't a joke, Squire," his father said.  "I'm not going to argue with you."
       "Who's supposed to show them where the bear's at?"
       "I have told you exactly what I want you to do and I know you understand me."

       Deaver Hull sat at his desk wondering if he should drive home.  He hoped his son would stay away from the bear in the backyard.  It was the bear time of year.  It was probably a very small black bear. The juveniles did wander down from the hills, down out of the forest, eating from Dumpsters, getting in trouble. They were not typically aggressive or dangerous.  No one knew of any modern incidents of a person being mauled by a black bear.  Maybe every once in a long while a dog got mauled, not even fatally.  The young bears were setting out to find their own territory, was all.  When the juvenile males got to a certain size, reached sexual maturity, the large older males drove them away.  It was probably frightening for them.  They didn't know where not to go
       Deaver called Animal Control and spoke to somebody.  He explained the whole thing.  The guy said they'd send someone over.  Eileen McNamara turned from her workstation when Deaver hung up the phone.  "Deaver, did I hear you say there was a bear in your birdfeeder?"
       "Yep," he said, drumming his fingers on the desk.  He still wasn't sure if his son would behave the way he wanted him to.  "Yes indeedy."
       "What kind of birdfeeder is this, if I dare ask?"
       "It's big," he said.  "I built it.  It has suet in it, I guess.  I guess that must be what he's after, right?  The suet?"
       Eileen looked at him incredulously.
       "They're pretty lithe," Deaver said.  "Like mice.  They can squeeze through little spaces.  As long as it's big enough to get their skull through, they can squeeze their body."  He didn't know all that much about bears, to be honest, but he didn't like to admit to ignorance.  It sounded
good in any case.
       "Well, I'll be damned," Eileen said.
       "Do you think I should go home?"
       "You don't want to embarrass him," Eileen says.  "He's a big boy.  I'm sure he's not scared of a little bitty bear."
       Deaver didn't know if Eileen was underestimating his son's age, or if she was making fun of his concern.  "Oh, I'm sure he's not," he said. "In my head I'm seeing him out there poking it with a stick."

       Squire rang the Almonys' front door bell, then knocked hard on the aluminum screen door.  The inside door was open and he could hear Mrs. Almony padding around in there somewhere but it was polite to knock.  He felt uneasy.  He'd changed his tee shirt before going over because he was worried, he'd been wearing it all day and they'd had gym class.
       "Hello?" he said, knocking harder and yelling through the door.  He pressed his lips against the screen.  It felt prickly, tasted faintly like black pepper or the tops of batteries.  "Mrs. Almony, are you home?  It's Squire Hull!"
       When he was a little boy, he used to let himself in, striding boldly to the kitchen in the back of the house, where Mrs. Almony might be canning tomatoes or baking a pie or giving her parakeet a bath in the sink. The parakeet's name was Pretty Boy.  He was dead now.  This was four or five years before.  When she'd told him about the bird's death, Squire wanted to know where she'd buried it.  Mrs. Almony had said, "Well, honey, do you want to help me bury poor Pretty Boy?" and then she'd disappeared out the back door, returning with a brown paper bag.  Squire looked into the bag.  There was Pretty Boy on his back, feet curled into little pink avian fists, head cocked to one side, bill slightly open, a gray tongue matching his gray eyelids.  They'd buried him in the dirt by the foundation at the side of the house.  Now that he was grown up Squire realized that she'd put the bird in the trash can.  That's where she'd gone, to get him out of the trash can.  She loved the bird when it was alive but adults don't do things like that, don't bury a dead parakeet in a coffin made from a Styrofoam egg carton.  Little kids do that.  Mrs. Almony buried Pretty Boy for him.
       Squire looked back at his house across the road.  He wou